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电影如蝴蝶，漂亮而短寿
。千机万变抓住美好固已难能可贵

，留住永恒之美，庶几无憾
。印度气候潮热，多亏人称「奈尔先生」的印度电影保育之父，无数濒临损毁边缘的珍贵作品，得以保存修复。由门票收藏家变身菲林卫士，不避跋涉直入穷乡挽救烟没的电影，奈尔走过的路可有十万八千里
？看着旧片重 温、各式制作公司商标的片头蒙太奇，印度电影史彷佛就在经他保留的影框之间无言揭示。遑论波兰大师赞禄西 、斯里兰卡国宝培里斯等锦上添花的访谈，直构一场知性大丰收 。 Henri Langlois, the French film preservation pioneer
, had it easy compared to P. K . Nair. Nair, the founder of the National Film Archive of India, has been instrumental in salvaging his country's cinematic heritage, from early silent films to regional cinema to even popular Hindi movies. He has also been a teacher to a host of filmmakers
, including this documentary's director. Heartfelt and illuminating, this is a celebration of cinema and a man who spends his life safeguarding film for future generations.