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劉別謙初嚐美高梅大製作的派頭，一切筆法更神采飛揚
。開敞的場景、空前的排場讓人物裏裏外外恣意張開：寡婦的心更顯孤獨
，男女的愛更加沒處安放。坐擁小國大部分財富的寡婦忽然要搬到巴黎重新尋找生活色彩，國王唯恐國祚不保來一招美男計
，派出風流種子色誘寡婦。本來一個用情一個求性，幾番邂逅與折騰，改寫了男男女女的基本需要。歌與舞沒有賣弄甜膩，反而放在愛情的沉重中換來了歌頌。歌與影無間交流，劉別謙輕歌劇巔峰之作，亦成了荷里活極有代表性的一章。司花利亞與珍娜．麥當奴最後一次合作
，後者散發從未有過的成熟韻味

。堪稱最性感的音樂劇。 Rated "the sexiest musical in the thirties", The Merry Widow could well be the sexiest musical ever. Jeannette MacDonald
, sensual and majestic as a Persian cat
, is the wealthiest widow in the kingdom of Marschovia. On a visit to Paris
, she attracts a flurry of gold-diggers. To prevent her fortune from passing to foreign hands
, the king sends a romantic envoy to court her  . He chooses Captain Donilo, whose cavalier attitude to women is not limited to his rapport with Maxim's "girls , girls, girls". Osé but not blasé
, this elegant adaptation of Franz Lehar's operetta out-classed von Stroheim's silent in opulence, culminating in the grandest of grand balls. Source
: 28th HKIFF